«During Dictatorship of Love Sandra Kramerová succeeds in arousing the suggestion of a mass choreography ★★★★

The Love clearly splashes from the motor skills, smiles and proudly raised chins.»

 

Annette Embrechts. Volksrant​

«Kramerová’s dance language is reminiscent of the work of the Hungarian-born choreographer Krisztina de Châtel (79). Suppose they were to join forces: a great ideal to fight for».

 

Annette Embrechts. Volksrant​

«Fascinated by the tension between surrendering to the greater whole and preserving individual freedom, Kramerová goes in search of the beauty and the darkness of mass dance with four professional dancers and a group of ten amateur dancers».

 

Rebo nieuws

«Amazing how Sandra Kramerová conjures up all those socialist gender roles ★★★★

Her consistent performance in the minimal decor of the solo performance ‘Majka’ is impressive».

 

Annette Embrechts. Voksrant

«In the gripping choreography Majka, Sandra Kramerová goes in search of the ‘ideal’ manifestation of women in 1970s Czechoslovakia. The result is a direct confrontation with universal archetypes».

 

Karima Aissaoui. Theaterkrant

«Kramerová succeeds here in giving the uncontrolled a hopeful beauty».

 

Karima Aissaoui. Theaterkrant

«Here too Kramerová manages to symbolize the pressure of political expectations with almost oppressively powerful dance».

 

Karima Aissaoui. Theaterkrant

«Creating a character that makes you feel really involved as an audience, that’s what dance maker Sandra Kramerová is very good at. Her solo performance Majka drags me along from the start».

 

Maarten Baanders. Cultuurpers

«In Majka the Slovak choreographer Sandra Kramerová gives a powerful twist to images of women from commercials and political propaganda».   Jacq Algra. Het Parool

«Kramerová is now alone on stage, but thanks to a strong team in the wings, decor, video, light and sound form a convincing synthesis».

 

Jacq Algra. Het Parool

«Thanks to strong body control, timing and articulation, an image of a rather idiosyncratic type gradually emerges».

 

Jacq Algra. Het Parool

«Discipline, perseverance, dedication – Kramerová shows and feels it convincingly».

 

Jacq Algra. Het Parool

«With the piece hovering between a tribute and a commentary, Kramerová does a good job at making us feel her simultaneous shame and joy».

 

Lucía Fernández-Santoro. Movement Exposed

«The dominant thread of the piece, reinforcing the political value of the body,is precise and well crafted».

 

Lucía Fernández-Santoro. Movement Exposed